JBIRDGUY

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<iframe style="border: 0; width: 350px; height: 470px;" src="https://bandcamp.com/EmbeddedPlayer/album=3706010832/size=large/bgcol=ffffff/linkcol=2ebd35/tracklist=false/transparent=true/" seamless><a href="https://finals.bandcamp.com/album/finals-friends-rumored-to-be-among-the-best">Finals + Friends: Rumored To Be Among The Best by finals</a></iframe>

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FINALS.BLOG (2020-present) presents “Rumored To Be Among The Best” by Finals + Friends, a compilation of original exclusives by friends of the blog, out June 5, 2025. The single is out now on bandcamp, [soundcloud](https://soundcloud.com/friendsfinals/finals-friends-stas-thee-boss) and [YouTube](https://www.youtube.com/watch?v=8hcR-C4DCiU), "Pretty Boy In Spring Colors" by Stas THEE Boss. 

Curated by Finals, the comp is 11 tracks of unique/elite music from the American underground. 

Thank you to the artists for the music. Thank you Suspence for the idea. And thank you Suspence and Gabe Weisbuch for the cover art.

Questions or comments? Hit rumoredtobeamongthebest@gmail.com

Liner notes:

**Suspence - BEAT Nineteen**

Longtime Seattle-based DJ and producer Suspence came up with the name “Finals,” and contributed half our 2020 mag which we dropped when the blog launched. While musically active in PNW clubs and in rap groups for decades, he has recorded only one (1) mix, a masterful edition of KEXP’s Midnight in a Perfect World, and has almost no solo music out.

**Khris P - HUNNA ROUND prod Gary**

Originally from St. Louis and now living in Tacoma, WA, Khris P first came to my attention as a producer and rapper in the now broken-up Tacoma group ILLFIGHTYOU in the early 2010s. Lately he has been focused on rapping. I produced an EP with Khris and his IFY bandmate, Glenn, in 2022, called GIMME INDIE ROCK, and since then, Khris has been crazy prolific, dropping six albums largely produced by a local enigma known only as Gary. 

**Stas THEE Boss - Pretty Boy In Spring Colors** 

Stasia Irons does it all. She’s a producer, rapper, singer, organizer, writer, recently a movie scorer (dream hampton’s It Was All a Dream), and an all-time performer going back to the mid-2000s. Currently based in Portland, OR, you might know her from her involvement in the Black Constellation crew, her DJ collective Sway & Swoon, her party Latifah, or from the now defunct group THEESatisfaction.

**10.4 Rog - grownups** 

Hailing from Renton, WA, and now located in Los Angeles, the producer, multi instrumentalist, and video director 10.4 Rog has built a cult following for his Dilla-esque rap and R&B production, differentiating himself from everyone else in that lane with his superior feel, and skills as a piano player. 

**Laron - dance dance!** 

Brooklyn producer Laron is mind-blowingly good at a full range of styles, with a discography including albums with very different MCs Jay Critch and Jadasea, credits on projects by MIKE and maassai, and beat tapes that call to mind the experimentalism of artists like Madlib, and Laron’s close friend and collaborator Tony Seltzer. 

**zayALLCAPS - popshuvit!**

Producer, rapper, singer, and indie label entrepreneur zayALLCAPS makes songs about love, anxiety, manic episodes, being validated by the homies, and striving for excellence, from his adopted hometown of LA. We love the Sacramento area native’s creative chord progressions, camouflaged samples, distinct “newstalgia,” and writing from the heart.

**Tomu DJ and YoungLove Erix - no service (demo)** 

The Bay Area’s own Tomu DJ produces all types of  music for the club or the headphone, both solo and with other producers (like kimdollars1), as well as with vocalists who might talk or rap on the track (like YoungLove Erix). She also makes sublime R&B club edits, organizes the West Oakland Music Festival, and is an adventurous DJ in an open-format style, sometimes with a reckless disregard for what’s deemed cool or tasteful. She makes that shit work.

**kimdollars1 - the ecstasy of communication** 

After Finals interviewed West Manhattan born, Austin, TX based producer kimdollars1 aka DJ kimila a few years ago, she started writing and contributing DJ mixes to the Finals universe, flexing her deep knowledge of rap, and gaining skills as an interviewer. We are grateful to publish her work and remain massive fans of her beats and mixes. 

**Dear Nora - sinaloan restaurant (Finals remix)**

Dear Nora, the morphing solo and group project led by songwriter, guitarist, and singer Katy Davidson, perfected PNW indie rock around the turn of the millennium. Now splitting time between the California desert and Brooklyn, their guitar music has grown more elegant, and more gently transportive.

**fish narc and Winston Hightower - odd save - snip**

fish narc is a living bridge between 2010s DIY spaces and soundcloud rap, whose musical arc has gone from hyper-aware PNW rock to producing for Lil Peep (RIP) and now back again to his roots as a guitar player, singer, and bandleader. Winston Hightower is his label mate on K Records, aka the label Kurt Cobain had tatted.

**Matson - Tele**

I made this short instrumental with my Telecaster during the height of COVID quarantine times, which is when we launched Finals. Listening back reminds me that end times can also be beginning times, and especially when we are scared about the future it can be therapeutic to sit down and try to calm yourself by creating something. I am struck by how this song reflects none of the stress and anxiety that overwhelmed me when I made it. 



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Finals and Friends: Rumored To Be Among The Best, Liner Notes

misc

read every word. thank you for all the thought and work that went into this! 

❤️

^agreeing with misc above! especially loved all of this historical analysis---went above and beyond any tendency to simply reminisce, so cool to like, actually have someone talk about the music! in a more complicated way

also, i LOVE this blog, the formatting decisions are so beautiful, truly

holly (h.d. angel)

thanks so much for the kind words here. i'm glad this piece resonated; i worked hard on it!

if i could redo one thing about this interview i probably would have asked about different/more music that was given nods on "snow flakes". i'm not really an indie rock person and although i like the way this went ofc i wonder whether there would have been even more compelling insights about stuff like "afro finger and gel" or "eureka", which feel less accessible to the current (bad) canons. maybe the challenge of going out of my taste profile a bit is what made this a success though, i'm not sure.

what i liked best about this piece was brooks' oscillation between despair/resignation at all of the structural issues around art and unbridled enthusiasm when it came to the art itself. you can see this in the last two lines of questioning - "i wish i had more positive things to say!" "everything sucks!" followed by immediate hope and resolve as soon as the convo turns to a cool game with cool ideas. that's a battle my brain fights all the time.

also this gradient on bold is insane when it's block text, good god.

finals

john

An Interview with Jaime Brooks

An Interview with Chloe Hotline

An Interview with CJ808 and QU!$7 of 2K3

In SoundCloud’s ocean of narcotized, otherworldly rap, few collectives are distinguishing themselves like [cr3stfallen](https://soundcloud.com/cr3stfallen). Their mixtape *[#CF21](https://soundcloud.com/cr3stfallen)*, released in February, assembles over a dozen producers and vocalists to find the lucid moments in the depths of a comatose sound, hypnotizing you with more voices than your brain can process as their plugg-adjacent production reaches into the future. 

15-year-old [rodneyy](https://soundcloud.com/ccrodneyy) stands out in cr3st as a member with some of the most fleshed-out ideas as a solo artist. On EPs like January’s #nYnm, he sharpens the lethargic atmospheres of his peers into something new and infectious, picking punchier beats and using his alien vocal hooks to bend the cr3st sound towards more focused songs with a professional finish. The recent work of Playboi Carti, who rodneyy idolizes, looms large over his sound.

<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1189770553&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/ccrodneyy" title="rodneyy" target="_blank" style="color: #cccccc; text-decoration: none;">rodneyy</a> · <a href="https://soundcloud.com/ccrodneyy/sets/nynm" title="#nYnM" target="_blank" style="color: #cccccc; text-decoration: none;">#nYnM</a></div>

Much of rodneyy’s fully-formed presence can be credited to his upbringing; as I learned in our brief interview, he’s the son of 2000s R&B star Monica and Rocko, the Atlanta rapper and record executive who’s most often associated with his 2010 signee Future. Growing up at the heart of the music industry in Atlanta, rap music’s current crucible, has taught rodneyy how to professionally self-produce and mix all his music before he can even legally drive. He hopes to use his early, singular talent on SoundCloud to become a star on the level of his idols, setting the template for more young people to follow in his footsteps.

---

**You’re from Atlanta, right? You grew up there?**

I’m from Atlanta, yeah. Born and raised here.

**What was your musical upbringing like?**

You know my mom and dad make music, so like, rap and R&B. That’s really what I’ve been around, like, the real trap scene. When Future was first coming up and all that, I was heavily indulged in that, because he was signed to my dad, so I was around a lot of trap music. That’s kinda what I was brought up around.

**Did you say he was signed to your dad?**

Yeah! Future was signed to my dad. Future’s name, before he met my dad, was Meathead.

**Wait, hold up, who’s your dad?**

Rocko. R-O-C-K-O.

**Oh shit, Rocko! I didn’t know that. So you were really immersed in Atlanta music from a young age.**

Yeah. I’ve been kinda stuck into it -- late night in the studio, all that. I really was born into it, for real. I’m glad I was, ‘cause I love it so much.

**You were kind of destined for music.**

Yeah! Destined to grow up into it, yeah. 

**How did you first stumble on SoundCloud shit? Like, the shit you do now?**

Believe it or not, I had just gotten TikTok, in like 2019. And I heard this one song by notlocked and i9bonsai. Ever since that one song, I was looking into related tracks and stuff, and that’s where I met st47ic and mar and p6nk and luci and them, and the rest is history. I used to be in call with them every day, and I got better, and we all got better with each other. They’re my bros, for real. 

![rodney 2.png](https://finals.blog/api/uploads/rodney_2_2c58b5037f.png)

It’s crazy that TikTok got me where I am now.

**Especially since you were surrounded by Atlanta music when you were young, but what started you off was an i9bonsai song.**

Yeah, exactly. It’s weird, yeah.

**How did you first get linked up with the dudes in cr3stfallen?**

You know Dani Kiyoko? He used to make a lot of producer chats. Back when Instagram had a chat option, you could just hit a button and join a chat. So I would join his chats, and in those chats I met fakekickin, and he’s like co-leader of cr3st. 

I’ve always wanted to join, but one day I was like “what’s cr3st?” being, you know, nonchalant about it. And he was just like “you wanna join?” He didn’t even tell me, he just asked me if I wanted to join. And the rest of that is history too -- that was around, like, July. I didn’t start rapping until a month after I joined cr3st.

**So you grew up around rap, and with Rocko as your dad, but you didn’t start rapping yourself until then?**

I had been making beats all my life. And then I started rapping around...the beginning of the school year.

**Does your dad fuck with your music?**

Oh yeah, he does! The “TEAR IT UP” video, he paid for it for me. I appreciate him. My parents are giving me cosigns and stuff, I really appreciate it.

**In one of your recent songs, you borrow the hook from “Stop Breathing” by Playboi Carti. Is he an inspiration to you generally?**

Man, Playboi Carti is such a big inspiration. And you know, that’s after Whole Lotta Red dropped, and...You’ve seen Instagram after Whole Lotta Red.

**They weren’t giving it a chance, honestly.**

Exactly, like, they weren’t giving it a chance at first, but now it’s so widely liked. People base their clothes, the way they talk, their Instagram’s look, off that album. And it’s so cool. I want to get up there like Carti one day.

**You want to set the tone for other people.**

Yeah.

**Obviously to do that, he had to develop a really unique presence. What do you think sets you yourself apart from other people on SoundCloud, in that kind of way?**

Honestly, I think it’s the fact that I really can be in a room by myself, with just FL Studio, and I can just make an album. You know, it’s not a lot of rappers that make all their own beats, mix all their own music, and rap. Know what I’m saying? Because I really just hop on FL and make whatever I want.

There are other rappers that do make beats in my style. Like...who are some, for example? Like Yen.

**Duwap?**

Duwap Kaine’s a good example. Yen’s my bro. Kuru makes beats, I don’t know how often he hops on his own beats, but you know. I feel like the fact that I’m younger than a lot of people that are going up is important, too. I’m 15, and Duwap’s one of my biggest inspirations too, for that reason. Because when I found Duwap, he was 14, and I’ve just been listening to him all my life. 

I just want to be an inspiration to the younger people. If you’re younger, I want you to see me and be like “damn, that young boy making music! I wanna do that too,” or “I want to go up like him,” you know?

**Who else on modern SoundCloud besides those you mentioned inspires you, as far as sound?**

Modern SoundCloud...let’s see. Everybody in cr3st. Chain Gang, that’s like Yen...And 777World, that’s like Kaya and Vagex and them. And then, last but not least, Andrettimakk. Andrettimakk is a big inspiration.

**His mixtape that came out a few months ago, I’ve been playing the shit out of that.**

He’s just so different, for real.

**You’ve had two EPs drop this year. What do you have coming up the rest of the year?**

I think I’m gonna drop one or two more singles, and then it’s gonna be a tape on my birthday, May 21st. I turn 16.


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The Browser #5: A Q&A with Rodneyy

![raeg1.png](https://finals.blog/api/uploads/raeg1_2cd64553a9.png)

At age 17, Raegun can already do whatever she wants. You wouldn’t know it by listening to her current output, but before she wrote confessional pop songs on SoundCloud as a member of [noheart](https://soundcloud.com/ripnoheart), she was a rapper inspired by abstract stylists like MIKE and Earl Sweatshirt. If you listen to the rap EP she released last October (which she’s asked me not to link here, so people can discover it themselves), you’ll be transfixed by her command of the genre; as she laterally navigates her insecurities and Black identity over roughed-up soul samples, you hear echoes of her younger years as an aspiring poet. Last December, she released [a song](https://soundcloud.com/raegun240/in-the-aeroplane-over-the-sea) on SoundCloud tagged “#hyperfolk” that mashes up Neutral Milk Hotel with osquinn’s “bad idea.” She’s even started exploring [self-produced garage music.](https://twitter.com/raegun010/status/1382126092325113856) What unites all of these phases of Raegun’s career is a keen sense of discovery, like she’s bringing new life into everything she attempts with fresh, curious eyes and an insatiable need to get what’s in her head out into the world.

<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/952054804&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/raegun240" title="raegun" target="_blank" style="color: #cccccc; text-decoration: none;">raegun</a> · <a href="https://soundcloud.com/raegun240/in-the-aeroplane-over-the-sea" title="in the aeroplane over the sea" target="_blank" style="color: #cccccc; text-decoration: none;">in the aeroplane over the sea</a></div>

Her debut EP under her current moniker, *cherry blossom blooms*, is out tomorrow -- it’s a breezy, four-track project produced entirely by [coleslau](https://soundcloud.com/coleslau) to capture the inflection points in Rae’s mental health and love life as the seasons change from winter to spring. She sketches out a place in digicore’s indie pop wave with the same therapeutic detail that marks her earlier work. Lead single “talk to me” sees her grapple with communication problems between her and a girlfriend, while songs like “window washing” read more like diary entries, sourced from the poems she might write to herself.

<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1010799859&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/raegun240" title="raegun" target="_blank" style="color: #cccccc; text-decoration: none;">raegun</a> · <a href="https://soundcloud.com/raegun240/talk-to-me" title="talk to me" target="_blank" style="color: #cccccc; text-decoration: none;">talk to me</a></div>

When I interviewed Raegun a few weeks ago, she seemed to have more fully-formed ideas about what to do with her art than she could mention. SoundCloud has given kids like Rae an environment where, in short amounts of time, they’ve spun simple music out into a wide range of creative pursuits at a young age, and our interview makes me think she is next in line on that journey. We had a bubbly, forthright conversation about all the different places she might direct those artistic impulses, and how exploring her identity and upbringing in Bowie, MD figures into her music; our conversation is transcribed below.

---

**Tell me about where you’re from.**

I’m from Maryland. It’s called Bowie, in PG County. It’s considered one of the safest Black areas in the United States, and I think that definitely shapes who I am. I’m very strong about identity, as a trans Black woman, and I think that’s kind of what I’ve been trying to make music about — being somebody who’s not really accepted in my day-to-day life, and being able to escape on the computer with friends. In everything for the past year, that’s kind of how I’ve built myself.

**I noticed a while back on socials, you were showing off your MIKE *May God Bless Your Hustle* vinyl.**

(laughing) Yeah!

**I love that album. What about that style of music do you think appeals to you?**

Definitely the pro-Blackness. When I was young...this is gonna sound crazy, but I used to read Black Marxist theory when I was in like...elementary and middle school (laughing). When I was super young, I lived in Kansas, and I was surrounded by a bunch of white people, and it was awkward. So when I moved here and was surrounded by other Black people I dived deep into that. 

That’s kind of where I started in music. I’m like, a huge Earl Sweatshirt fan. I have an Earl tattoo. So that’s kind of how I started in the abstract rap scene, mostly because they were all about explaining complex ideas in the simplest way possible. And I think that’s how I try to incorporate that into what I do now.

**Before that one EP that you dropped that you sent me, how far back does the abstract rap phase of your career go?**

Oh, God...very, very far back. I have older siblings and they -- specifically my older brother, he’s a rapper, and he’s been doing that for a long time. He’s been doing abstract rap even before I knew MIKE and them. Very, very far back, at least 2015...it’s been a while.

**I don’t know that much about your career, but it seems like you had a bunch of musician friends online before you got big in music.**

Yeah, for sure. Gum -- Dirty Bird, the house producer -- I’ve known him for a while. He’s been huge even before I was anything. Also, a bunch of other abstract rap artists that like nobody knows, I was friends with (laughing). 

It’s kinda weird being in this scene now, because I just started making pop music in like, September, and it was very hard to try to get people to take me seriously. A lot of people are so strict on: “we have our circle, and we’re not gonna let anybody else in. This is how it’s gonna be,” and it’s only been in the past two months that things have just blew up. It started from a Masked Gorilla show with Glaive. They played my song, and Glaive was like “whoa, this is crazy! I’m gonna message them,” and then he follows me and messages me. And the next day, Ericdoa follows me and asks me to make a song with them, and the next day, noheart asks me to join! So it’s like these things were really topping onto each other in the span of a week.

And now, I guess I’m at a weird point in my career where I feel like I’ve proven myself to the community, but not to anybody outside it. I don’t know how to go about it, but it’ll be interesting. 

**What song was that, the one at the Masked Gorilla show?**

It was [“al capone.”](https://soundcloud.com/raegun240/al-capone-tsuyunoshi) I don’t know...I don’t know how I feel about that song. (laughing)

![raeg 2.png](https://finals.blog/api/uploads/raeg_2_be18819bc4.png)

**The song you did, “newgen,” is about that experience of not being considered part of the community. Is that what people were calling you -- a “newgen?”**

Yeah, exactly! Like, there’s so many times where people were like, “you’re probably not gonna be able to talk to them, because they don’t like newgens,” and stuff like that. It’s just bullshit. At the end of the day, if you make good music, you make good music.

**In your transition from making abstract rap stuff to the pop music you make now, do you think there’s anything you’ve carried over, as far as your craft or the way you think about music?**

Honestly...not really, which is so weird. It’s such a huge change-up. I just remember one day, I think the specific song I heard was “BadGirlsClub” by ericdoa, and then I was like “damn, I wanna try that,” and then I did it one time.  

Because like...okay, let me go back. When I was an abstract rapper, my producer -- he’s a kid who lives in my neighborhood, his name’s [Ria](https://soundcloud.com/ria_chuelo), he’s in worldonlockdown, sugarrush, a bunch of hyperpop collectives -- he was just an abstract rap producer. I sent him “BadGirlsClub” one day, and he was like “whoa, this is crazy,” and we just decided to do that on our own. We were just working together for a month, and we knew nothing about any of these hyperpop people, so we were kinda just developing our own sound. It was, like, refreshing. It felt like...that was probably the best month I’ve ever had making music, being able to completely switch with no direct inspirations but yourself.

**The other day, I saw you wrote this [really nice poem](https://twitter.com/raegun010/status/1377625945918611460) on Twitter -- about your girlfriend, about transness, identity...Are you the sort of person who just wants to explore as many different avenues of art as possible?**

Yes! For sure! Before anything, I wanted to grow up and be a poet. I still do want to go to school for journalism, and stuff. I’m huge into writing. That’s why when I read your juno thing, I was like “wow, this is really good!” I was surprised, because I want to do writing.

Poetry is definitely something I’ve always been into. That also connects to abstract rap, because it really tested me. Instead of vocal mixing and all that, it’s mostly just poetry onto paper, and I still preserve that with just writing. For whoever wants to see it.

**Do you think that early love of poetry informs the way you rapped, and later the way you write pop songs?**

For sure, like...It’s so much easier. I have friends who produce, and they always say they want to sing, and they always want to do this, and they can’t because they just can’t get their thoughts onto paper. Poetry definitely helped me be able to easily identify my feelings and put them into words. I can make a song about anything that I truly feel in like ten minutes, because I’m so used to understanding how I feel and being able to say it.

**Do you pre-write all your songs, or is it just a straight shot?**

It depends, honestly. “Newgen,” that was, like…

**Just angry? Like, “ugh!”**

Literally! dltzk just sent me the beat and I was like, “fuck it! I’m kinda mad,” and just went through. But songs like “talk to me,” the one I just released, that one was pre-written for sure.

**That was with coleslau, right? How’d you link with him?**

I don’t know if you know anything about the collective FourSeasons. It was an old collective, with so many talented names. cole was in it, hallow, endie, st. jimmy was in it. But nobody ever took us seriously because our leader, people thought she was a “reply guy.” So we weren’t really taken seriously.

That’s how I met cole. I remember one day, me and him were in a VC, and we were talking about our music inspirations, and they aligned so well even though we were doing completely different genres that we were like “we should just work!”

For the past month, we’ve just become best friends and worked, like, every single day. We’re always calling, always texting, always bouncing off ideas.

**I also saw you have a song with meltycanon on the way. How did that happen?**

Oh my God, I don’t know. That was like, a dream come true. I’ve been listening to meltycanon for so long. I just woke up one day and meltycanon followed me and DM’d me, and I’m like “what the fuck?” It just did not seem real. But I’m definitely taking my time with that, because I don’t know how many Meltycanon collabs I can get, so I’m making sure I get my best with that one.

**You have this new EP coming out in two weeks. What’s new for you on there?**

*Cherry Blossom Blooms*, it’s a concept, but not very straightforward. I deal with depression and depression is terrible during the winter, so the EP is about the transition period between the winter and the spring when you’re gradually feeling better, but you’re faced with all these tasks: the school year is ending, you don’t know what you’re gonna do for summer, falling in love -- just everything that happens from winter to spring.

It’s just a terrifying time for me every year, so I just wanted to see how much I can put that into sound. That’s why I got Cole to produce, because Cole’s very good at making very happy...very spring-y kinds of sounds. So I’m trying to put that sound all together and see how it works.

I’m not even gonna lie to you. That project isn’t even finished, and that’s kinda how I work best. I always, every time I drop something, I finish it right before I drop it. Not even the day before, the day of. That tends to work with me, because I can procrastinate, and if I make myself sit down for three hours straight and work on something, it’s gonna be the best damn thing I’ve worked on.

**So, you’re a poet, you’re an abstract rapper, you’re a singer, and you’re only 17. What other kinds of artistic avenues are you trying to explore, since you’ve got a lot of time?**

I want to do, like, movie sound shit. I’m also a violinist. I wanna see if I can do stuff for movies. I used to listen to, like, Hans Zimmer shit all the time. I also want to learn how to paint; my brother’s an amazing painter, and I envy him so much, because he’s so good at that. But I feel like if I put my mind to it, I could definitely do it. 

I’m open to anything, really. What I always joke about to people is that I’m not good at anything except art, so I’m just gonna keep doing it. I might as well do whatever I can!

**Has your brother had a lot of influence on you?**

For sure, for sure. He lives in California. We’ve never lived in the same house before, but as I grew older and started talking to him more, I realized that we were, like, the exact same person, and that’s really helped me come to terms with who I am today. We were both artists in our own way. If I had an experience, I’m almost positive he’d have the exact same experience, so it’s kind of cool to have that intel on how to deal with things.

**Do you have any other siblings?**

Yeah, I have so many. I currently live with one of my sisters -- she’s actually from the UK -- and I live with another brother, so I have a ton.

**Do you feel like pop, as an ecosystem, has specific aspects that connect with transness for you?**

Oh, for sure! Oh, my gosh. The trans pop community has helped me so much with my identity. I’m not even just talking about people like SOPHIE, or like Arca, I’m talking about people like osquinn. There’s so much emotion into it. It’s just so empowering.

**After this EP, where do you think you’re specifically trying to take your pop sound?**

Honestly, past the hyperpop/digicore label. I realized that no matter how many songs I can drop under that label, at this moment, it could only be listed as that. The only person who’s pushed it further than that is, like, dltzk, and I feel like I have a way better opportunity at becoming the superstar I want to be if I take a more pop route. Which is what I’ve kinda always wanted to do, looking at people like Clairo or Kevin Abstract who’ve done bedroom pop. But not even just that -- merging that with my own sound, I think that’s kinda what I want to do. 

I want to be able to conceptualize things way better than the people around me. Instead of just dropping single upon single, I want to be able to bring entire stories into it, and bring a bunch of other media aspects into it.

---

*Photos by Raegun's younger sister*




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